Amazed at how well this turned out, especially since it was an iPhone shot taken last night after coming home from an all day trip. Really beautiful. I’ve got a few more on my regular camera but I somehow think they won’t be able to beat this one.
So when I did my first attempt at caldo verde I was pleased enough with the results. Turns out, though, that somebody who really knew her caldo verde noticed my post, as well as noticed that what I had made wasn’t really caldo verde.
Isabel, who is herself Portuguese, clearly knows her food in general and her spirit of cooking for herself when she likes fits in perfectly with my own way of things, so I was very interested to read her post and follow-up emails. I’ll quote her comment here:
Caldo Verde is extremely simple (and delicious), the only problem is that you need one specific type of cabbage. There:
http://pt.wikipedia.org/wiki/Imagem:Couve-galega.JPG
So, you peel some potatoes and boil them with a little salt, moosh them thoroughly (it should not be be thick, but not too watery), bring to boil again and then add the cabbage cut in veeeeeery thin slices or strips. Bring to boil again and leave it boiling maybe no more than 5 minutes, add a good spoonful of olive oil and stop the heat. Add the sausage if you want and eat it as soon as possible. It should look like this:
http://aeiou.escape.expresso.pt/fotos/gourmet/68_fu_1.jpeg
The kale that I used in this preparation isn’t necessarily the cabbage Isabel notes, I think, but it’s a good big leafy one, and I think I definitely got closer! I should have mixed in the olive oil more, though. Turned out very nicely in any event — thanks Isabel!
This was all something of a last minute affair — no fault of Kele’s, I should note! — and I’m not totally thrilled by this story of mine, it’s rushed and feels it. But still readable enough, hopefully — to quote the opening:
Talking to Bloc Party front man Kele Okereke, you can tell he’s from the U.K., and not just from his voice. There’s a wry sense of humor at work, like when he’s asked about his band mate Gordon Moakes’ recent fatherhood. Okereke’s voice turns serious, discussing the tough times that have transpired, that the subject really shouldn’t be brought up—and then he cuts loose with a laugh and a “Nah, only joking!”
The man clearly knows how to handle overly earnest interviewers, at least.
Another small batch this time:
…is this one:
The story behind the song here (the video is a fan tribute). I’ve had this song for a while via a Dr. Demento collection of oddball Xmas songs released on Rhino about two decades back, but somehow my relisten of the disc this year lodged this one in my brain and now you too must all share.
This also gives me a chance to re-plug my year-old piece in the OC Weekly about Christmas music. But there’s going to be a new piece up tomorrow (though not about said music).
And I know you’re out there. Earlier today an absolutely essential series of pieces went up at the Crumbs in the Butter site over in the UK dedicated to said band, one of the most compelling, unique groups in these past decades. To give you an idea of how much regard I held and hold them in, while I wouldn’t have given up all three times I’ve seen My Bloody Valentine over the years, I would have given up two of them to have seen Disco Inferno even once. It wasn’t going to happen, they never had a chance to tour America, but friend Tom Ewing did see them in 1995 or so and says it was one of the best shows he’d ever seen, which I don’t doubt.
The core of the pieces are two extended recollections by the band’s leader, Ian Crause, about his youth and the forming of the group and the recordings they released — it’s at once a great story of an awkward teenage outsider finding inspiration and connection in music and, more importantly, the gumption, drive and desire to take inspirations and turn them into a new, increasingly unique blueprint. They cover a lot of ground and anyone even slightly curious about the band needs to read them; to quote even one section would prompt me to quote all of them. Crause is an accomplished writer, self-aware and able to look back on his past with a knowing but very empathetic eye.
Richard Adams from Hood contributes a strong introduction and Glen Johnson of Piano Magic shares an epilogue with, well, me (and I would have been hyping this whole thing even if I hadn’t contributed, believe me). My offering is a selection I wrote for an as yet unpublished piece for Mike McGonigal’s peerless Yeti, which perhaps explains its abrupt start and stop, but hopefully I’ve captured what I think was most crucial about the band’s work from where I stood.
I’ve heard rumblings about some even more wonderful Disco Inferno-related news as well but as that’s still up in the air a bit I’ll save that for later…
To say that I’m not dead or anything but again, full times — end of quarter crunch, holiday plotting, making some further decisions about a couple of things here in the apartment, and more, plus needing to get back to the good Mr. A. Soto about our EMP proposal (tomorrow, I swear!).
I will say that I had a brief but amusing interview with Kele Okereke of Bloc Party yesterday. He probably thought I was a goof but who can blame the guy.
More cohesive thoughts over the next couple of days…
…and this is partially because all my writing energies today went towards actual writing work that I’m doing. (Really not complaining at all, of course — the fact that I’m getting more commissions in general these days is very gratifying, and I hope to build on it further.) For that reason, planned longer pieces for the blog might wait until tomorrow. But three links to pass on for today: